Kinma’s Horse-Burial Chant
The Deer KingKinma’s Horse-Burial Chant is an origin tale about what to do with horses that die and how the god Kinma’s instructions shaped the breeding of the Ahfal Oma’s hunting dogs. Its recitation becomes part of a medical investigation into Mittsual: the tale offers a striking historical parallel between diseased horse remains and dogs, but the investigators’ observations do not confirm the suspected explanation for the current outbreak.
The chant and its instructions
Cheehana begins the old story with Kinma’s contrasting commands. A horse that dies should not be buried in the earth but burned, lest wolves dig it up and learn to eat horse flesh. A horse that dies of sickness, by contrast, should be buried, so that a wolf will suffer after eating it and avoid horse meat. The chant thus makes disposal depend on how the horse died, and casts the practice as a means of shaping wolves’ behavior.
The story then turns from burial to reproduction. During a harsh winter, when horses and people were starving, Kinma approaches a pregnant bitch whose pups were sired by a wolf. He asks whether she is willing to bear her pups despite the pain. She says that she is; Kinma leads her to a mound where sick horses are buried, and she eats from the remains. She falls ill, gives birth, and dies, while her pups grow up to become the village’s best hounds. The tale binds sacrifice, disease, and the emergence of valued hunting dogs into one account.
From oral tale to local practice
When Cheehana recites the opening verses, Shikan takes over the story, giving the account a shared, performed quality rather than presenting it as a single speaker’s report. He then distinguishes the legendary outcome from the practice he describes: when many fire horses existed, the Ahfal Oma buried those that died of illness in a mound and later dug up their remains to feed to pregnant bitches. Unlike the bitch in the chant, these animals did not die, and their pups grew loyal and strong and did not succumb to sickness.
Tomasolle adds another application of the custom. When horses died after eating poisoned rye, the Ahfal Oma likewise buried them in a mound and fed them to pregnant bitches. The evidence presents this as a practice rooted in inherited animal lore, but it does not establish that the story’s supernatural events occurred as told or explain the mechanism by which the pups were thought to gain their qualities.
The chant in the Mittsual investigation
The tale is introduced while Hohsalle and the others consider how Mittsual might have spread among dogs and wolves across a wide area. The investigation has already raised questions about the pattern of scattered animal attacks and cases: if infected animals had transmitted disease to ticks, the illness might have spread more extensively. The origin story directs attention to a different possible connection, one involving the handling and feeding of diseased horse remains.
Tomasolle reasons that the custom could explain the broader pattern if the pups became carriers of disease. But he immediately reports that this did not happen in the cases he investigated: the bitches bore no pups, and he personally confirmed that they suffered and died. The apparent parallel between the chant and the present investigation therefore remains a hypothesis, not a solution. The tale sharpens the inquiry by making local practice relevant to disease transmission, while the observed outcome prevents the group from treating tradition as proof.
Significance
The chant carries practical knowledge through a memorable religious story: it links the treatment of animal remains to wolves’ feeding behavior and to the breeding of hunting dogs. In the investigation, that inherited account becomes evidence to examine rather than a conclusion to accept. Its importance lies in the tension between remembered practice and observed outcome: the story suggests one route by which disease could pass among animals, while Tomasolle’s report shows that the expected result did not occur.